Description:A profound analysis of the work based on the theory of psychoanalysis. It emphasizes Polansky’s ability to describe atrocious human deeds as if they were something natural. It compares his view with that of Bergman, Hitchcock, Bava and Bunuel, concluding that the film is a criminal version of "A Streetcar Named Desire ".The analysis is signed by Mona Mitropoulou.
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